“The Poet-Vigilante Vs The Toolbox-Poet: Who will win?” (A Prose Poem)

by Anton Martin Smith antonmartinsmith@gmail.com or martinantonsmith@gmail.com

‘Writers Block’
Is very handy.
For Example:
When you meet someone who doesn’t read?
Out Comes The Block.
You asked the said non-reader to close their eyes.
Then….
!Whack!
Rough justice employed.

Another example:
You are at a poetry reading.
You come across the “toolbox poet”.
They’ve had an easy life.
Their parents are (of course) still together, upper middle class types.
Their progeny is this ‘toolbox poet’.
It is they that is trifecta-masacre-ing you’re brain, eyes, and ears,
Has never known poverty or genuine struggle.
Is quite possibly what the Americans refer to as a ‘Trust-Fund Baby’.

Alas ‘Toolbox Poets’ – They have nothing to say,
Yet yield Hiroshima like damage on new poetic pastures, usually in urban locales.
They use ‘form’ like a mega-sledgehammer.
They use rhyme far too much and for no good reason.
Their empty platitudes flow like the cheap tract-nouveau-riche-wine,
Delivered to their and their parents friends pristine well swept doorsteps,
Like the badge of copy-cat-ism-style of dishonor it surely is.

The ‘Toolbox Poet’ not knowing what truth is – uses hearty dollops of ‘false mystery’.
‘False mystery’ is the poetic version of verbal sophistry –
Basically they use empty-misjoint-imagery spoken with faux gravitas,
To swindle audiences who have not yet purchased ‘intellectual imposter glasses’.

So where was I?

Yes let me backtrack to ‘Writer’s Block’ (the non-metaphoric physically real kind).
‘Writers block’ comes in handy with run-ins with the ‘Toolbox Poet’ set.
And as my prescriptive advice,
Simply throw said block from the very ‘back of the back’ of said room,
Ideally throw from behind a billowy curtain or from an appropriate alcove.
Aim for the trajectory to have a nicely curved parabola, but not too curved –
less it miss its mark – i.e. the Toolbox Poets ‘schnoz’.
Too flat a trajectory – and you risk hitting the audience.
Watch this glorious ‘Writers Block’ fly with feeling-imbued-slow-ity through the air,
Until it completely nulify’s the ‘toolbox poet’ in mid-bad-stanza,
Mid-bad-imagery-rhyme & mid-flowery-false-platitude.
And Congrats! You hit with a bullseye’d ‘schnoz splashdown’
(NB: in the event that you missed? – Abort mission & stay behind said curtain or alcove & whistle quietly).

And for when the audience turns around post successful ‘Toolbox Poet’ assassination & wonders what has happened?
Well you just stand there sans curtain, whistle quietly & hold your hands behind your back,
Contemplating your next ‘writers block attack’.
Yes my friends of good and great writing –
Contrary to popular sentiment –
As I have outlined in detail above,
‘Writer’s Block’ comes in very handy.
In this the stolen-valor-filled-faux-literary-world.
Yes the valiant soldier wielding the ‘Writer’s Block’ is a poet-not-just-a-poet,
But is also a well battle scarred poverty knowing poet-vigilante,
Who’s parents duly hated each others guts and then in five to ten got truthfully divorced.
And in so doing accidently created a glorious poet-vigilante,
Willing to swiftly and parabolically destroy the high-crimes-of-poetic-dastardry –
Wherever the ‘Toolbox Poet’ plies this evil solipsistic trade,
Or doth present their oversized probably-open-mic’d-big-target-wearing-schnoz.

Hazaar to the Poet-Vigilante & his mighty non-aerodynamic ‘Writer’s Block’.
Hopefully he is not deluded,
Hopefully he is not living in a fantasy world of his own choice,
Hopefully he is not merely ‘projecting’ some twisted internal trauma based misery.
Hopefully he has met his ‘Jungian shadow’ and now gets on not just like a ‘house on fire’,
But as the houses warm embers the day after the house was on fire.
Oh yes – I know what you’re thinking.
It would be a shame if this ‘poet vigilante’ I speak of was in fact ‘dead wrong’ –
For all this would be a waste of time and a total ‘all encompassing lie’.
It would be an exercise in acute effrontery (which is definitely not cute).
But surely not – surely he is not then a ‘Poet Terrorist’.
Surely not dear highly-intelligent-literary-loving and truth loving avid reader!
After all – we’ve all seen the multitudes of ‘Toolbox Poets’ that abound –
The ones that litter the urban poet-scapes like maimed-and-hobbling-town-square-pigeons?
I ask of you dear discerning reader of near angelic virtue – have we not seen them everywhere?
Of course we have….Of course we have…..Of course we have.
I’d stake my very reputation on it.
And let me give you the tip –
That’s worth more than a few cases of ‘Smith’s Luxurious Highly-Blunted Flying Writer’s Blocks’.

“Open Letter: Hey poet – Don’t steal Buk’s stellar 30 year Work Record”

by Anton Martin Smith antonmartinsmithwrites.com or Martinantonsmith@gmail.com

I called out a fellow Buk fan & I was ‘blocked’.

This fellow Antipodean Poet also loves Buk.

Like me he mentions him all the time.

Sidebar:You can love Bukowski AND not like some of his bad drunken behavior.

That’s cool.

I applaud him for recognizing Buk’s literary genius.

BUT he ruins it all by doing this:

He tells his audience that he’s essentially ‘just like Buk’.

BUT

He has a patchy at best work record.

More holes in his CV than swiss cheese.

His dole check to work week ratio cannot have more than two-fifths MAX.

YET

He implies to his audience that he’s been working “thirty years straight in shit jobs just like Buk”.

Look, my Antipodean-warmer-climes-fellow-GenX-Pal,

Poetry is supposed to be about Truth.

Poets are supposed to be Truthful above all else.

None of this ‘Stolen Work Record Valor’ OK?

Oh did I mention?

In between the holes he was a ‘Marketing Man’.

Marketing Men love to lie to get results.

So what I would say to you oh ‘Fake Antipodean Buk’ is this:

If your were a true Poet,

Bernaysian Chicanery wouldn’t rule your tongue.

The Truth would.

Deep down I think you know this,

And are wondering about the sword of Damocles.

Or should I saw ‘The sword of Buk’?

Huh?

Riddle me that oh you Poetic antipodean hybrid of Bernays & Goebels.

But I am a reasonable man,

I am willing to throw you this crumb:

Perhaps I’ve got it wrong,

For there has always been scammy poets.

Who don’t give a rats about the Truth.

So perhaps you are a ‘poet’.

With a ‘small p’.

I implore you to capitalize your P forthwith – by admitting you were lazy with real world jobs.

And that’s why you hardly worked at all.

After all that is no sin to admit – in fact that’s honorable.

A ‘Big P Poet’ would definitely do this.

They might even wear it as a ‘badge of honor”.

But you lie about it, and suggest you grind-worked every day from age twenty to fifty –

‘Just like Buk did’.

That’s called intellectual dishonesty my friend.

And no Cap P Poet ever does this treasonous act.

And I’m sure BUK would agree.

He would say this:

“Be the hero in and of your own story YES – but don’t dare write about someone else pal”.

“Heartbreak I Miss You” (A Prose Poem)

by Anton Martin Smith antonmartinsmithwrites@gmail.com

I have never wrote of heartbreak in any of my poems.

There will be a day when that comes – in fact now is as good as any.

I am probably a coward for not doing so earlier.

Their are many heartbreaks in life – but these are the three big ones:

Heartbreak of the Romantic kind – for the one you were ‘supposed to be with’ but it ‘seemingly cannot ever be’.

This type will not fade as the years and decades pass.

Next is Heartbreak of the Non-Romantic kind – perhaps the most common is the ‘disappearing/invisible parent’ of the seven to seventeen-year-old.

It might be a divorce thing, or they may be there but not present, or deeply betrayed the child.

This kind of Heartbreak I also believe does not really fade.

Next – the third type, another Non-Romantic Heartbreak is (as Jung famously mentioned) is that of the ‘unlived life’

Or more specifically it is:

‘The dispair of the Adult who realizes that their life is now proven (without a doubt via the ‘condemnation of the years’ effect) to be an an unlived, unfulfilled, un-potentiated one.

Jung mentioned that when a parent suffers from this, they take it out on the child –

‘It is the child that suffers most for the unlived life of the parent’.

But of course, this adult sufferer will also take it out on themselves in their inner minds – a personalized hellish torment.

The interesting thing is someone can suffer for not just three of these Prime Heartbreaks – but four if they had the additional wrath of an ‘unlived parent’ experience as a child.

And now I wonder if that ‘sufferer of four concurrent Prime heartbreaks’ is me.

And I wonder if that is also true for the other side of the Romantic Heartbreak – her.

Perhaps we had six Prime Heartbreaks between us both, and when we split together we created seventh & eighth.

And I wonder if that is why we resonated in a cosmic energetic unity for that short ‘lit-fuse year’ we were together.

All Theory aside, how does one keep ones aging chin up under these circumstances?

And of course I know their is no answer to this question –

There is only a half-answer:

Only the traditional only-half-working-one,

To remain stoic in the face of you forever falling down the ‘black chasm abyss’ for eternity.

i.e. The same one they used in WW1 – when you saw your best hometown mates head blown off by howitzer fire from one foot away.

And I think if one were to suffer all four Prime Heartbreaks, that would certainly qualify you for the analogy.

Yes Stoicism can’t actually truly save you if you suffer from three or four Prime ‘life-concurrent’ Heartbreaks.

Unfortunately – as the saying goes – ‘you’re on your own’.

And in closing I will separate out just one of my Prime Heartbreak’s,

The one who signifies seemingly forever romantic lost love.

She is surely the most important one of the different types – it feels that way.

She is after all why I wrote this poem right now, after so many years in mourning.

This is the one where my brain settles on only three bare words:

I. Miss. Her.

Or another song title way to put it would be:

“Heartbreak I Miss You”

‘The Brain’ must know that that’s all that really matters.

The-Professor-in-my-minds-eye says:

‘Heartbreak 101: Torment can make for good art and writing’ – by the way this is a compulsory paper’

“Disneyfication” (A Poem)

by Anton martin Smith antonmartinsmithwrites@gmail.com

And to the lights-on-but-no-one’s-home-folk that recoil in horror about a poem about BO?

Or a poem about the life being drained away from the eyes of the the human cubicle dweller?

Can’t you see that you rose-tinted-glasses view of the world isn’t helping anyone, let alone yourself?

The San Padro Poet was right when he talked about the ills of ‘Disneyfication’

There’s dirt, grunge, & bad smells & much worse in this world,

So let it be described in all it’s uncomfortable rancid true colors.

Though let’s be frank – the leafy greens types in aisle 7 will never catch on.

But perhaps a few will walk by the ‘gutter poetry aisle’ one day,

And look squarely at one of our poems,

Lift up their rose tinted glasses and read the first line or two,

And after the third line upon raising a single eyebrow up high,

Instead of the their usual loudly dismissive herumpf followed by clomping getaway feet –

There is just a barely audible ‘pfft’ followed by gentle mouse steps to the vacuum-packed salmon section.

Mickey Mouse will slowly start erasing himself from his big stupid ears to his oversize shoes,

Leaving only a dancing hand in a white glove & a pencil behind (in true cartoon style).

“An Embarrassing Mishap at the MIDCLAPS” (Prose).

By Anton Martin Smith antonmartinsmithwrites@gmail.com

The Envelope was delivered to the smartly dressed compere.

It was a ritzy affair, all paid for via legally stolen cash (of course).

The compare had a blank face even more blank than a blank page,

That was about to be filled with soulless blank copy-cat words,

From one of the many blank-headed nominees.

You know the ones – the ones that put the B in Banal, just as much as they put the ANAL in bANAL.

The compere’s smile was at least as fake as a Politician’s or a Real Estate Agents, or a Dentists for that matter.

He opened the letter slowly & with the accompanied ‘tinny’ drum roll sound playing from a 5 watt speaker.

And then his cold flappy bloodless gums started to flap, with sound coming out.

“And the winner this year …Of the Stock-Standard Middle-Class Poetry Awards, aka the “MIDCLAPS”… is…as it has been every year since inception…It Goes to….

Yes me Zombies! – ‘The Anti-Poetry Non-Truth Factory Poetry Division Collective’ strikes again!

And yes, I’m afraid to say they have one it for the 100th straight year!

Ain’t ‘Rigo-nomics’ grand folks!

They’ve won with the exact same poem, but they’ve slightly rehashed it!

Ooooh! This is so…so…anti-surprising, isn’t it?!

Let me read it to you, as I know you’re all dying to hear it.

Wintery Forest Leaves

As the wintery leaves fell through the dense windswept forest,

The agile birds swooped between the trees,

Like a thread going through a needle,

Their spirited cries echoed though the valley gorges,

And reminded us of our long ago forgotten home,

Which had the strange but stylish hyphenated name of: I-coonta-fookin-recalla”

WAIT A MINUTE DEAR AUDIENCE!

SOMEONE HAS ILLEGALLY INTERFERRED WITH THE WINNERS ENTRY!

THEY’VE FALSELY ADDED AN EXTRA THE LAST LINE OF THIS POEM!

They’ve made it interesting and/or witty and/or unique and/or truthful!

They went BIM BIM BIM

When it was BLAND BLAND BLAND we wanted!

THIS IS ILLEGAL POETRY MY FRIENDS AND WILL NOT BE TOLLERATED!

The MIDCLAPS Awards are on hold indefinitely pending an investigation into this travesty!.

For who knows dear audience & sponsors? –

Perhaps there is a coup going on inside ‘The Anti-Poetry Non-Truth Factory Poetry Division’?

If we don’t nip this in the bud ASAP where will we be hmmm?

Meaningful, Witty Unique & Truthful poetry will abound about the world!

‘The Masses’ will surely un-enslave themselves!

‘The Evil One’ won’t like it!

Yes, Yes Yes, calm down now, take your seats…quell your murmurs…I know we cannot have that folks.

Yes Yes Yes – to the Doctor Sir standing up, I can understand that – Yes ‘we cannot upset Satan’, I agree that ‘it’s against our oath’.

Yes Yes Yes to the madam Lawyer standing up, I agree ‘it’s against our mandate’ – to ‘keep all that’s good in the dark’.

Yes Yes Yes to the Real Estate agent standing up with the for-sale sign on forehead, I agree it’s against clause 6-66 of our constitution ‘Good people cannot be allowed to have good things’.

Don’t worry folks leave it with me and the good folks at the Anti-Poetry-League-Limited aka APOLE

You good folks can rest easy now as you know as much as I do:

SATAN himself – our CEO – would never let anyone take a bite into APOLE and get away with it.

Please enjoy the snack buffet on your way out.

“The Ballad Of Low Self Esteem” (A Poem)

by Anton Martin Smith antonmartinsmithwrites@gmail.com

Their was once a land far far away,

Full of people with gnarled, wrinkly faces – even the young.

A land of ‘downward trending’ smiles & lost tempers.

It was a sad place – for it never learnt how to do anything.

This was because the peoplesfolk had abjectly low self-esteem.

You couldn’t tell them anything, for they took it the wrong way – as a sleight.

Slowly they became more backward than they were the year before, & the year before that.

Some wag once said a very funny comment when pressed on the problem of the matter:

“Why would we change – for if we continue to be move backwards,

Eventually the worst that will happen is we will return to our starting point”.

Another one said:

“Sure we have low self esteem, nothing works, crimes up & our economies in the dustbin BUT”

And I said “But what” then they said

“But…But…imagine if we had too high self esteem – that would be worse as a society”.

I said “why is that”, to which they replied

“Well then we’ll get in over our heads won’t we” they said.

Then I said “what about the saying better to try & fail than never try at all”?

Flustered they then looked at their phone nervousy & said:

“No Sir it is better to not try at all & in the future tell of your wimpery to another wimp”

“Why’s that” I ask with a raised eyebrow.

“Have you ever heard the phrase ‘Misery love company’ “?

“Yes I have” I said.

“Well I’d be too lonely if I was a go getter – I’ll stay miserable with lots of friends thanks”.

The weird thing is that after they said this, it was the most confidant I’d ever seen them look.

As they walked away with a swagger, I made a mental note to make sure I leave this town tomorrow.

They are all far to comfortable with their entrenched culture of low self-esteem.

After all – it is almost certainly just another undiscovered form of insanity.

Even if it is indeed as comfortable as they made out.

And I wonder if I’ll actually ever leave.

Perhaps I am one of them, & simply deluding myself to the contrary.

Sadly, this is not the first time I have wondered about this, & it won’t be the last.

This was ‘the ballad of low-self esteem’.

Out now, never-ending, & everywhere you look.

“Cafe Produced Warblings” (A Poem)

by Anton Martin Smith antonmartinsmithwrites@gmail.com

I had just finished listing to the old ‘Poet Laurette’ and was on my way out.

A spare coffee was needed for the usual night’s work – that is, writing.

For sipping a coffee while trying to be original certainly helps matters.

< Digression: >

Isn’t a pity that we if being truthful now have to say “excuse me for my keyboard clacking awaits”,

Versus yesteryear’s romantic “Excuse me Sir/Madam my quill & parchment & fine hardwood desk awaits”.

Yes it is a pity, but I remind myself that it’s the writing that matters vs the input method.

< Digression Ends >

“What do you do” said the coffee girl.

“I do some Carpentry & Handyman-ing, but that’s only half my life…

….the other half is sitting in front of a computer at night – ya’know – writing”.

I wasn’t sure if she respected the arts, but I was tired of hiding today,

And with the new owners – the cafe was now becoming more of an arts hangout to.

“Oh”, she says.

it was hard to decipher if this was a “good oh” or a “bad oh” or a neutral “oh”.

As I left the cafe she says “have fun in front of your computer!”

It sounded a little like a “jab” but we types are touchy on such matters, aren’t we?

As I was literally half out the door I reposted (in good humour of course).

“You never know – I might write a poem about you

The 70-something Poet Laurette who was sitting quietly at a table laughed as he overheard.

“I hope not” she said.

“That’s why they say ‘the pen is mightier than the sword'” I doubly retorted.

Again, the Poet Laurette chortled.

And as I walked home on that perfect sunny day, I thought to myself:

Ah these trips to the cafe are getting better & better.

They are even beginning to foment material.

Why is it always true that the life-sliced-words have a certain ring?

Because they’re the freshly filtered words emerging from the ground.

That’s why.

Long live the cafe-produced-warblings –

For much like ourselves, we would all miss them had they not been there.

“ScamDoctoringTM” (Prose/Poem)

by Anton Martin Smith antonmartinwrites@gmail.com

Doctors give you 15 mins of their time after you wait half an hour in a small virus-filled room.

When seeing them they try their best to halve the visit to 7.5 mins for double-profit reasons.

Then they charge you $50 on the way out & $100 to the Generalised Insom-na-cised Taxpayer (G.I.T.).

Then they’ll look you in the eye & tell you ‘they’re in it’ in because they care about the community –

& all as the workmen rush to install the rolla-doors & ticket-machines.

This article is owned by Martin Smith Creations ltd (NZ). If you are a person or a small non-profit please read or reproduce freely. Commercial Users or NGO’s: If you want to purchase for reprint of this work for a commercial project to reach a wider audience – then contact me via martinantonsmith@gmail.com to gain written legal permission.

“Leaves falling in a bored mans head” ( Prose/A Thought)

By Martin Anton Smith martinantonsmith@gmail.com

Right now it is Autumn – or as the yanks say – “fall”.

The other day I looked at a giant pile of wind curated leaves on my front yard.

The thought appeared –

Each leaf has come from a particular tree, from a particular branch, & from a certain sub-branch,

But as I look at the big seemingly homogenous leaf pile – that information is not available to me personally.

The Physics man tells us in that theory you could somehow still “ID” any one of those leaves.

For the total information content of the universe is always preserved.

I thought that it’s pretty cool that there are trillions of seemingly indistinguishable leaves out there but the universe still knows exactly where they came from.

I also was kinda miffed that I’d never be able to find that info – or so I thought.

A couple of days later, most the leaves had fallen – so there were only a couple of hundred of leaves on each tree.

I watched one of them waggle on the tree, & I could even watch it waggle off from its precise location.

That meant when that leaf hit the big pile of its friends below,

I could know exactly where it used to live – which tree which branch which sub-branch it fell from.

A lot of artists say that science ruins the ‘magic’ of the world – I disagree –

I think both of these ‘where did the leaf live’ situations were interesting in their own right.

The real problem these artists who say science ruins ‘the magic of the world’ is they don’t know any science at all.

If they knew just a little about it, they’d see some of the magic in science too.

But I won’t labour the point –

I mean it’s not my place to once again throw the second law of infodynamics into another artists face.

I’ve been doing that far too much lately & I really must cut down on it.

And in closing If you ask someone be they a leaf, an artist, or a man of science

They will all agree that…

….I’ve got to fucking get out more….

But then again….

Is there really anything wrong with leaves falling in a bored man’s head?...

Note: Yesterdays Poem “lottery Lines” has been updated! Improved?!

Newsflash!!!

I have finished the last poem I was working on yesterday – So if you read the nor very good version – then read the new ‘not very good but hopefully marginally better version’ now called “The Lottery Economy”.

LINK:

Now that I’m here I may as well chat about it. We all know that when the lottery gets a big jackpot, people all line up at the lottery agents – well maybe that’s a thing of the past nowadays but I think that still happens.

For a long time now – when I see the lines I get a twinged in my heart – for it’s like it is an allegory of our modern economy driven lives – people suspending their disbelief in the reality of the tiny odds-on offer for a successful outcome. .. .so it’s just like “The economy” – i.e. jobs careers, moving to the city to improve your life, working your ass off & burning yourself out in the hope it will truly get you somewhere.

Yes it might work for some, but I think for many a decade now that is a losing strategy, person for person.

The odds don’t add up.

I hope the Poem “The Lottery Economy” sums that up properly when you read it.

in my opinion that Beast we call & bow down too, “The Economy” hasn’t worked for a long time, if ever.

We have mega cartel Corporates sucking the time & energy of Humans beings under the guise of “Good Jobs”.

I’m not against Jobs, I’m against Cartels masquerading as “Employers”.

With this becoming the norm, there is only ever going to be one winner in 100, tops.

Many small & medium players, is what works well for the most people.

I’m sure all the bad guys running the Cartel Scam called “The Modern Economy” know this inherently.

The outcome is their aim.

The mistake too many people make is thinking this isn’t the case.

The good news is we can still save things by supporting small & medium companies.

That’s why the beer I’m drinking now tastes good, is at a fair price, & is probably also good place to work.